I had written this a short while ago. Thought it would be a good time to post it, for we all have a little more holiday-time flexibility to see a movie. So here it is.

Interstellar

Yes, the movie. After months of buzz blazed with mesmerizingly dazzling banners the much fancied, and anticipated by the physics and mathematics community and its writers, the blockbuster of Interstellar hit the theaters last Friday. I happened to be one of the patrons longingly waiting to sense through the full play at the first opportunity—for two prime reasons, and quite a few ancillary ones.

One, the intelligence of the subject—although the movie itself is a science-fiction, it unfolds by the descriptions and concepts of mathematical-physics that we currently employ to understand the continuum of space-time. I am not an admirer of all science fictions, but I would vote for this one without reservation. I can point to some of the bad examples of science fiction movies, but I do not want to upset directors and their followers! Anyhow, the second reason—actually is tied to the first one—being that the storyline fabric is composed with the consultancy of Kip Thorne, a notable theoretical physicists from California Institute of Technology, who has made wide inputs in both relativity and gravitational aspects of the grand universal design, accounting both the cosmic and quantum views.

Thus the architecture and workings of time dilation, black hole, singularity, higher dimension and parallel existences, and the theoretical wormhole—all playing out stunningly and enticingly on the IMAX silver screen—that stem from the unified understanding, are all incorporated into the flick with caution in what is palpably projectable.

The ravishing appeal of a “wormhole” tucked around the Saturn rings can’t be overstated. So is the singularity of a black hole, and, on a technical side, the coordinative view of the spinning spacecraft (in the poster above). But all this scientific bits isn’t what makes the play wholesome. It is the fusion of human elements by the scaffolding of scientific knowledge that brings out an edifying texture. That the subliminal bearings aren’t independent of space-time; that intellective and emotional renderings may play decisively; that personal footings and worldly pursuits aren’t mutually exclusive… I shouldn’t keep on or else it will become a truly fictitious reverie. The point is that the scrupulous account of modern views slotted subjective traces too into the same knit.

Although in a movie with such an expanded perspective everyone is bound to have their own censors. One apparent one for me was the time and again reference of “they,” for an idea of a fifth-dimensional programming to be reflected in the three-dimensional plane. Though the notion fitted nicely into the script plot, it wavered loose ends either on scientific grounds or otherwise. Another was the fuzzy description of wormhole, and its contrived mechanism, especially because the wormhole played a sincere role in the flow of the story.

At a general level though there seemingly lurks a slight barrier if we are to follow the narrative fully and precisely. The movie is more appropriately cut out for those who are already familiar with the avant-garde developments of mathematical physics, their strengths and loopholes, and a little background of it all. The movie has a great deal of information seeped all over, and those without background may risk them for a pure fantasy. There are contextual meanings echoing throughout the plot. The flick is a popular account of our three dimensional world that tries to bespeak the higher verbalization of the quantum multiverse. So the lack of a prior knowledge of the basics may lead to a delusional land.

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Like around the end of the movie, an idea of “tesseract” abruptly crop up out of nowhere. Tesseract is a mathematical object, presenting a four dimensional version of a three dimensional cube. The object has played an indispensible role in our understanding of the higher dimensional plane, and the relativity that seeps through it all. But because of the lack of even a little referencing dialogue the value and beauty of the tesseract in that context can be missed by those who haven’t heard of tesseract, or its role in mathematical physics, beforehand.

A single mention of tesseract was enough though to enthrall math devotees.

I shouldn’t give out too many details in consideration of those who so far only meditated, and haven’t seen it yet.

Take a look. It is worth a three hours, and most of us won’t be disappointed. And let me know what fascinated you the most.

See you soon.

Have fun holidays.

Neeti.