Tag Archives: tesseract

Math Shaped

To prepare a talk for the upcoming MathFest, to be held in Chicago this year, I was ruminating over articulating a clean-cut yet telling narrative. Since the talk subject is on ways to effectively outreach mathematics to general audience, it should at least somewhat bring up core concepts of mathematics. Somehow allude to the essentiality of its graphical and revelatory power, compared to just an instrument to calculate. Meaning mixing in subtler forms of advanced math, even abstract ones. I am sensitive to oversimplifying anything (my take on popular writing). It’s like providing a forced picture—like peas and potato analogy of quantum and cosmic realms in The Theory of Everything—that is far from an actual picture, and importantly dampened down on beauty, and inspiration. The point of outreach is to convey the subject—its significance and elegance that lay in the eyes of those who swim in it—not recite a lullaby.  And in my experience audience from all backgrounds, even without math ones, show true enthusiasm only when prompted into intricate and advanced forms of mathematics, yearning for the real sense. It’s there where the real message is, of what mathematics actually is about.

In my experience outreaching an advanced scientific field effectively rests on two basic elements. First, tell it the way it is, don’t soften it. That’s the hard part because all those elaborate labyrinthine equations with functionalities, symbols, and notations floating all over them is the very thing that makes some of us flee. And thus the second, present them correlatively as physical entity: Numbers to space, Algebra to geometry, Calculus to continual smooth change, Group and matrices to potentiality of abstract objects, the list is endless, and that physics itself at the core is mathematics. All those preposterous looking equations are actually quite beautiful and insinuating if you understand that those terms are the pieces of the landscape. The tangled appearance of an equation, like Dirac’s, would dwindle away once one sees what a colossal argument the equation is making.

Dirac_eq

Persuasion in an outreach effort usually employs an object central to disseminating pronouncements of the subject. I have been thinking of having an actual physical object, and the top two in the list were tesseract and Calabi-Yau manifold. Tesseract represents four dimensional cube—Mathew McConaughey materializing in tesseract after he plunges into the black hole in the movie Interstellar, making tesseract currently an object of popular demand. Calabi-Yau manifold is a mathematical thing of a projective plane, surmising six dimensions. Both, thus, though may connect to reality in theoretical outlooks, cannot crystallize in our 3-D view. They are abstractions of mathematics, and stand to be significant (very) fully in their own right.

Having a real physical model in the talk, I thought, would be pedagogical, and a neat way to draw in enthusiasm. On simply googling tesseract I bumped into a 3-D printing enterprise shapeways, offering a model of tesseract (a beautiful one). (I didn’t look for Calabi-Yau model. Didn’t think it was possible to have a model of such an intricate complexity.) To my amazement, here they offered a Calabi-Yau 3-D printout as well, in different colors, snapshots, and sizes.

In conveying the actuality of mathematics with its ultra sophisticated developments, Calabi-Yau manifold can be an epitome that embodies conceptions of advanced algebra, cutting-edge geometry, mathematical abstractions, and advancements of modern physics all in one exhibit. And it is aesthetically pleasing as well. I got it from them.

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Here is the snapshot of the 3-D printout (Itself a 3-D snapshot of 6-D object). It was also nice to exchange a few productive words with Rick Russell—at the Shapeways, who generated this 3-D printout with an expert eye for math and its models—on this very enchanting object. Hope the audience will like the object as much as I do.

CY_Rot

The model emerges from the graphic that was originally rendered by A. Hanson, Indiana University, and it has done a phenomenal job in making its appearance from the nooks of abstract algebra articles, to academic and popular literature, to the explanations of modern physics. Somewhat surprised that it hasn’t shown up in the mainstream media, at least not yet.

Be back shortly,

Neeti.

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Just some catching up today

Many of us who relished Interstellar also eagerly took to browsing The Science of Interstellar, a pictorially exquisite book title extended by Kip Thorne, the same scientist who oversaw the science behind the alluring storyline of Interstellar. And there are considerable bits in the book to savor on, as to why certain elements played the way they did, like the crux of gravitational anomaly in the landscape of movie, the brilliant depiction of black hole, the alleged ghost of Cooper that his daughter saw when young, Cooper’s slingshot, the notion of they that appeared in the narration of wormhole and the past-present union of tesseract, the thing depicting higher dimensional field, i.e. the materialization of tesseract—the essential scientific chunks that the movie couldn’t have covered, many wondered nonetheless. In fact I too did, with the stance of they, which turns out to be the analogy of bulk field appearing in the modern theoretical descriptions that strive to unify gravity by the way of quantum mechanics (which has been a fairly uphill task)—the gravitational force seeping the bulk, and thus the bulk (they) playing role in the anomalies we encounter at the 3-dimensional level (in the movie). I will leave it at this here. Do read it if enthused.

Fortuitously, I see just the article we need to brush up on the union of quantum mechanics and gravity: A Brush with Gravity (!). You will also see that mesmerizing display of the Interstellar black hole.

To acquaint you further with the title Physical Laws of the Mathematical Universe: Who Are We? I am leaving with you its TOC:

CoverL

Contents

  • Introduction

  • Marginalia

  • Reflections of the Universe

  • Mathematical Reality of the Universe under the Canopy of Physical Principles

  • The Voice of Transcendental Numbers

  • The Esoteric Pi(π): The Appearance of Curve

  • Boundaries of the Unfettered Universe

  • Witnessing the Boundaryless Structure of the Space-Time Landscape

  • Are We Dreaming or Awake?

  • The Arrival of Higher Dimension

  • The Culmination of Multitudinous Universes by the Sovereignty of Duality

  • The Fractional Universe: The Blanket of the Subconscious

  • Perpetually Expediting Cosmos

  • Peppered Space-Time: The Dabs of Units

  • The Conception of God by the Twist of the Human

  • Brief Notes

  •                       Discontinuous Continua

  •                                     a.        Aesthetics or Mathematics

  •                                     b.        Chaos is a Misnomer

  •                                     c.        Science and the Rest

  •                                     d.        They are Not Two Things

  •                                     e.        Entity: Discrete or Abstract?

  •                                     f.         In Words

  • Acknowledgments

  • Glossary

  • Bibliography

  • Index

  • Credits

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Interstellar

I had written this a short while ago. Thought it would be a good time to post it, for we all have a little more holiday-time flexibility to see a movie. So here it is.

Interstellar

Yes, the movie. After months of buzz blazed with mesmerizingly dazzling banners the much fancied, and anticipated by the physics and mathematics community and its writers, the blockbuster of Interstellar hit the theaters last Friday. I happened to be one of the patrons longingly waiting to sense through the full play at the first opportunity—for two prime reasons, and quite a few ancillary ones.

One, the intelligence of the subject—although the movie itself is a science-fiction, it unfolds by the descriptions and concepts of mathematical-physics that we currently employ to understand the continuum of space-time. I am not an admirer of all science fictions, but I would vote for this one without reservation. I can point to some of the bad examples of science fiction movies, but I do not want to upset directors and their followers! Anyhow, the second reason—actually is tied to the first one—being that the storyline fabric is composed with the consultancy of Kip Thorne, a notable theoretical physicists from California Institute of Technology, who has made wide inputs in both relativity and gravitational aspects of the grand universal design, accounting both the cosmic and quantum views.

Thus the architecture and workings of time dilation, black hole, singularity, higher dimension and parallel existences, and the theoretical wormhole—all playing out stunningly and enticingly on the IMAX silver screen—that stem from the unified understanding, are all incorporated into the flick with caution in what is palpably projectable.

Inter

The ravishing appeal of a “wormhole” tucked around the Saturn rings can’t be overstated. So is the singularity of a black hole, and, on a technical side, the coordinative view of the spinning spacecraft (in the poster above). But all this scientific bits isn’t what makes the play wholesome. It is the fusion of human elements by the scaffolding of scientific knowledge that brings out an edifying texture. That the subliminal bearings aren’t independent of space-time; that intellective and emotional renderings may play decisively; that personal footings and worldly pursuits aren’t mutually exclusive… I shouldn’t keep on or else it will become a truly fictitious reverie. The point is that the scrupulous account of modern views slotted subjective traces too into the same knit.

Although in a movie with such an expanded perspective everyone is bound to have their own censors. One apparent one for me was the time and again reference of “they,” for an idea of a fifth-dimensional programming to be reflected in the three-dimensional plane. Though the notion fitted nicely into the script plot, it wavered loose ends either on scientific grounds or otherwise. Another was the fuzzy description of wormhole, and its contrived mechanism, especially because the wormhole played a sincere role in the flow of the story.

At a general level though there seemingly lurks a slight barrier if we are to follow the narrative fully and precisely. The movie is more appropriately cut out for those who are already familiar with the avant-garde developments of mathematical physics, their strengths and loopholes, and a little background of it all. The movie has a great deal of information seeped all over, and those without background may risk them for a pure fantasy. There are contextual meanings echoing throughout the plot. The flick is a popular account of our three dimensional world that tries to bespeak the higher verbalization of the quantum multiverse. So the lack of a prior knowledge of the basics may lead to a delusional land.

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Like around the end of the movie, an idea of “tesseract” abruptly crop up out of nowhere. Tesseract is a mathematical object, presenting a four dimensional version of a three dimensional cube. The object has played an indispensible role in our understanding of the higher dimensional plane, and the relativity that seeps through it all. But because of the lack of even a little referencing dialogue the value and beauty of the tesseract in that context can be missed by those who haven’t heard of tesseract, or its role in mathematical physics, beforehand.

A single mention of tesseract was enough though to enthrall math devotees.

I shouldn’t give out too many details in consideration of those who so far only meditated, and haven’t seen it yet.

Take a look. It is worth a three hours, and most of us won’t be disappointed. And let me know what fascinated you the most.

See you soon.

Have fun holidays.

Neeti.

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